Yesterday we presented at “Beorn And The Shieldmaiden” the 1943 film “Mission to Moscow”, along with the contemporary Soviet review. We are bringing this review here, followed by a translation of one chapter, speaking of the book and how the film came to be, titled “The Two Missions of Joseph Davies” from a book by Lev Ashotovich Balayan, simply called “Stalin”.
The following review, written by N.Krugkov was published in the Soviet Red Army newspaper “Red Star” on July 30, 1943. The film in question is possibly one of the two truthful films about the USSR, coming from Hollywood, the other one being “Why We Fight: The Battle of Russia”.
«Mission to Moscow»
A new American film
Mr. Davies, the former United States Ambassador to our country, has published a book called “Mission to Moscow”. The book was a great success. It described the events leading up to the war in the language of facts and documents. The factual nature of the book, written with a sharp pen of a publicist, created its success. For the American reader, who was poorly informed about the USSR and European affairs, Davies’ book was in many ways a revelation.
Director Michael Curtiz created a movie based on the book by Joseph Davis. Of course, it was not an easy task. Davies’ book, which is a political document, did not pretend to be artistic in its presentation, it is entirely factual, and seemingly plotless. However, the events described in it are so dramatic, so close to us, people experiencing the storms and tempests of the World War, that they fit neatly within the script and allowed to create a film that makes a great impression.
Of course, to us, the Soviet people, a lot of things in the picture seem naive and sometimes even funny. Russia, apparently, remains an exotic country in the eyes of Americans, and the desire to convey to the viewer the uniqueness of the country clearly dominates the direction.
Therefore, the film carefully emphasises the shots designed, according to the authors, to show Russian exoticism. Of course, the film features a mighty-sized samovar, some bearded people dancing “hopak” at a skating rink, a sled painted with flowers, and so on. All this makes our audience smile involuntarily. But at the same time, we see the efforts of the film’s authors to show our factories built during Stalin’s five-year plans, our endless collective farm fields and our new people — energetic and courageous builders and creators of a new life.
J. Davis went to Germany before coming to the USSR. He saw the stupid German military, heard the roar of drums, the incessant brass roar of military marches, children beating the goose step, a rampant, muzzled Germany, a country where preparations for war were going on at a furious pace, where everything was trembling under Hitler’s heel.
— Tin soldiers, he said of the Germans.
And so he crossed the border: a new world, the USSR. The lively people, the ease of communication, the smiles on their faces, even the air was different, clean and fresh, and the Americans who arrived immediately felt free and simple.
This noticeable difference between the two countries is perfectly captured in the picture.
The Soviet and foreign chronicles abundantly presented in the film give the picture a documentary character, making up for what could not be done in the studio, making you feel the pulse of authentic life.
The film says: The USSR is a great country, inspired by high common and social ideals, inhabited by courageous, energetic and talented people.
The film shows political figures of the USSR and other countries. The direction did not achieve an exact similarity of images — neither in external nor in internal expression. It was satisfied with the conditional similarity, the sketchy outlines. However, even actor Walter Huston, who plays the role of Davis, did not strive to accurately reproduce the image of his character.
Some events in the film are shifted in time, apparently in order to develop the plot more dynamically, but this does not deprive the film of truthfulness, because it is based on actual facts, real events.
We see and feel the ardent desire of the film’s authors to honestly comprehend and reflect the life of our fatherland — they have succeeded in many things, some have failed — but in any case, we can rightfully say: This is the voice of our overseas friends.
The Soviet Union, which bore the brunt of the Hitlerite horde that threatened to incinerate the whole world, attracted the sympathies of all advanced humanity with its courageous struggle. America, which is fighting alongside us, has feelings of recognition and respect for the Soviet people. The film “Mission to Moscow” expresses these feelings.
You are about to read a chapter from Lev Ashotovich Balayan’s book “Stalin”. After Lev Balayan’s passing, the book was made public domain by his son, Yan Bayalan, at the site stalin.su between 2003 and 2015. The site itself is now available through the WebArchive. The book can also be found at LitLife Club.
The Two Missions of Joseph Davies
The bestseller of the 40s
At the end of 1941, Joseph Davies’s book “Mission to Moscow” was published in the United States of America. This man was the US ambassador to the USSR, or rather, Franklin Roosevelt’s personal envoy to the Soviet capital, where he arrived with a very specific mission: to obtain an audience with Stalin, to deeply study and analyse the internal political situation in the Soviet Union and its foreign policy, as well as to gather information on the defence capability of our country. Davies’s work as U.S. Ambassador to the USSR lasted from January 1937 to the spring of 1938, that is it fell on the peak of “political repression”, and therefore F.Roosevelt’s personal envoy and his testimonies about the events that took place at that time, as well as his book itself, are of great interest. It is not for nothing that President Roosevelt left this inscription on his personal copy of the “Mission to Moscow: “This book is a phenomenon, it is for all times.”Continue reading





















